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It
has been 6 years since I last came to Sabah. It was this place that
first inspired me to travel adventurously. Changes are inevitable and
the airport at Kota Kinabalu has gone through some obvious cosmetic
improvement. The departure lounge now has lavishly furnished shops to
catch the last trickle of tourist dollars before they leave the country.
The arrival "hall" however, remains hopelessly inadequate as crowds
of arriving tourists try to find the queues behind the immigration counters.
Now
privatised, the management at Taman Kinabalu tries to justify price
increases with highly visible renovation and maintanence projects everywhere.
The nature walks and slide shows which used to be free, all require
payment now. Climbing permits have almost doubled in price. Fortunately,
mountains don't move. Mt Kinabalu remains as majestic, awe-inspiring
and beautiful. Standing at a "new" height of 4095.2m, previously recorded
as 4101m and dubbed the "highest mountain in S.E. Asia", without regard
for Puncak Jaya (4884m) in Indonesia and Hkakabo Razi (5881m) in Myanmar,
attitudes towards Mt Kinabalu seem to have gotten a little more "down-to-earth".
But
like other mountains, Mt Kinabalu needs a legend to draw visitors.
It seems that once upon a time, a dragon-slaying prince from China
took a pearl from the monster residing here and then settled down
with a Kadazan woman. When he returned to China, she waited for him
and turned into a rock. Like many other people in the world, Sabahans
associate eternal love with unmoving mountains. The word Kinabalu
is hence thought to be a corruption of "Cina balu" which mean "China,
widow" in Malay.
However, Malay
is not really a native language in Sabah. The indigenous Kadazan people
have their own language, which like some languages, places special
emphasis on the pronunciation of the letter "r". When a Kadazan speaks
English, he sounds like a Filipino. When he speaks Malay, he sounds
like an Indonesian. In the Kadazan language, Kinabalu seems to be
a corruption of a word meaning "realm of the departed".
As
before, the climb begins at Timpohon Gate and stops for the night
at Panar Laban where several simple huts and the relatively well-equipped
Laban Rata Resthouse are located. In the tropics, it is important
to realise the difficulties of dressing right for the mountains. Temperatures
can fluctuate wildly. One moment, you may feel like taking off your
shirt and the next moment, it could be freezing cold.
The
first part of the climb is best done with light clothing and a wind-breaker
to pull on at the rest stops. The beginning of the summit trail is
downhill. Not long after crossing a bridge, the climber arrives at
Carson Falls. This is where early climbers used to collect their water
supply for the climb. Today's climbers are pampered with water tanks
at the various rest stops or "pondok"s. Just bring a mug, an empty
water bottle for the summit and reserve lots of space for warm clothing
and your favourite snacks. A can of Coke costs about RM1.20 in the
stores on the lowlands. At Panar Laban, it costs RM3.20. If you are
fit enough,carry some up with you.
The summit trail
is clearly marked and well maintained. Stairs have been cut into the
soil and wooden stops are anchored with metal pegs. There are even
handrails to hold on. There is water and a toilet at every stop all
the way to Panar Laban at the treeline. However, different parts of
the trail vary in steepness. Some of the slopes may prove insurmountable
to the unfit. Apart from providing shelter, seats and water, the pondoks
also provide information.
Pondok
Ubah is the second pondok on the trail. The sign here point our attention
to the ferns that thrive at this altitude. It also tells the climber
how much further the next pondok is. However, given all the variable
factors, horizontal distances and measures of time are only useful
to the climber who knows his own speed and fitness level. The trail
continues to ascend from Pondok Ubah. Much of the trail at this altitude
is forested, but there are parts where the canopy is interrupted,
giving fine views of the forest slopes and the smaller knolls beneath.
It is said that
when Hugh Low first climbed this mountain in 1851, his main problem
was not the steepness of the mountain slopes but it was getting to
the mountain from the coast through thickly forested tropical lowland
jungle. There are no drastic changes in flora at Pondok Lowi and Pondok
Mempening.
Ferns
of all shapes and sizes and carpets of mosses dominate this part of
the mountain. This is also the home of the exotic giant pitcher plant.
Given the thining soils and lack of nutrients, this plant has adapted
by attracting insects into its pitcher filled with digestive juices.
The insects provide a supplement to the limited amount of nutrients
the plant can obtain from the soils here. This plant measures about
15cm from top to tip. Don't tell me I should have held a ruler because
I had one hand holding the camera, one hand grasping a branch while
my feet were on loose soil on a vertical slope off the main trail when
I was taking a picture.

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Born
in Singapore in 1964, Chan
Joon Yee is a descendant of Hakka tin miners in West Malaysia.
He published his first poem in the Straits Times. He also contributed
to a literary magazine and freelanced for a teenager's magazine. In 1991,
he published his first novel. This was followed by a second novel and
a translation of Chinese travelogue Bei Bao Zou Tian Ya into Knapsack
On My Back in 1993.He is going for another ascent of Mt Kinabalu, this
time on the newer Mesilau trail. If you want to read more about his work
and travels, visit his website at Knapsack-The
Asian Backpacker's Favorite Hangout
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